4/13/2023 0 Comments White melody of curse eng subAlthough the commentary is encased in a standard ghost story, there’s no mistaking the events herein as anything but keen observations about an indomitable industry. Along with the increasing awareness and availability, K-pop’s downsides have also come into view.Īn unexpectedly cutting critique of this competitive -and sometimes soul-crushing -business can be found in White: Melody of Death, a 2011 South Korean horror film whose subject matter resonates with K-pop fans all across the board. Particularly, more famous artists have crossed over to the West without giving up their language or culture. In its homeland, this enticing and chimeric style of modern Korean music has been (ear)worming itself into people’s heads since the early nineties only recently did it become popular elsewhere. While our mutual infatuation eventually faded as so many adolescent interests do, I can’t help but think back on those years as a new age of K-pop takes the world by storm. With it being at the forefront of the all-consuming hallyu (“Korean Wave”) movement, it was only a matter of time until K-pop went global. A friend I met in high school introduced me to these infectious songs and the irresistible idols behind them. There was a time in my life when I ate, slept, and breathed K-pop.
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